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Tag: FLEA

  • SUBTROPICS MARATHON 2016

    subtropics marathon 2016

    SAT.MAR.5.2016 – 5PM-Midnight

    SUBTROPICS MARATHON 2016
    miami’s experimental marathon of music and sound art

    Audiotheque
    924 Lincoln Road, Miami Beach

    FREE

    This program can be heard anywhere in the world
    Live stream at 5PM EST:
    www.spectacular.media
    host: Stephen Malagodi

    Featuring (mostly) world premieres of experimental, electroacoustic, multichannel and interactive intermedia works and performances by:

    Alba Triana | Armando Rodriguez | Carlos Dominguez + FLEA | Charles N. Mason + Sheri Wills | Dan Dickinson | David Brieske | io: David Font | Eddier Martinez + Candice Soave | Edward Bobb + The Inertials + OMM | Erza J. Teboul | Federico Buenacosa | Gustavo Matamoros | Inlets Ensemble | Jason Calloway | Jose Hernández Sánchez | Julio Roloff + Jorge Gomez Abrante | Kerry Ware | Mark Schubert | Matthew Evan Taylor + The Tipping Point Ensemble | Randy Nutt | Rene Barge | Reza Filsoofi | Robert Blatt | Robert King | Daniel Dugas + Valerie LeBlanc

    POSTER IMAGE: Randy Nutt
    graphic design by Claudia Ariano

    AUDIOTHEQUE PROGRAM

    BIRD ISLAND REVISITED (2016) | 7m
    by Kerry Ware

    CELLDRONE # (2015) | 10m
    by Erza J Teboul
    featuring FLEA

    DICTAPHONICS (2016) | 7m
    by Dan Dickinson

    EXPERIMENTS IN ALTERNATIVE REALITY (2016) | 9m
    by Robert Blatt

    FLOW BIG WATERS (2016) | 10m excerpt
    by Daniel Dugas and Valerie LeBlanc

    FLUTTER ARRHYTHMIA (2008) | 7m
    by Charles N. Mason + Sheri Wills

    IMPROVISATION FOR ACOUSTIC GUITAR AND ELECTRONICS (2016) | 10m
    by David Brieske

    io: EFUN (2015) | 10m
    by David Font

    LAISSEZ FAIRE (2015) | 10m
    by Armando Rodriguez

    LIMINAL (2016) | 5m
    by Robert King

    MIXER THING (2016) | 10m
    by Carlos Dominguez
    featuring FLEA

    NEW FURNATURE MIX (2016) | 5m
    by Eddier Martinez and Candice Soave

    PLAIN ENGLISH (2016) | 7m
    by José Hernández Sánchez

    RYOANJI (1983-85) | 10m
    by John Cage
    featuring Inlets Ensemble for Experimental Practices

    SEQUENZA XIV (2002-04) | 12m
    by Luciano Berio
    featuring Jason Calloway

    SHIKANTAZA (2015) | 11m
    by Federico Bonacosa

    The Inertials and OMM present:
    NEEDLE SCORES KRAZY KAT (2016) | 2m

    THINGS GO BETTER (2016) | 10m
    by Randy Nutt

    THONG’S MOOD (1976) | 10m
    by Mark Schubert

    SILENT/LISTEN (2014) | 8m
    by Matthew Evan Taylor
    featuring The Tipping Point Ensemble

    VISUAL NOISE IN 6 PARTS (2013) | 7m
    by Gustavo Matamoros

    EXHIBITION AT STUDIO 203

    MUSIC ON A BOUND STRING No. 2 (2015)
    Installation by Alba Triana
    on view in Studio 203 all day Saturday and Sunday

    ***

    For detailed information, pickup a free copy of our poster/program featuring artwork by Randy Nutt and designed by Claudia Ariano at ArtCenter/South Florida

    ***

    NOTES:

    FLEA (FIU Laptop and ElectroAcoustic) ensemble are:
    – Laura Arevalo
    – Chase Dorway
    – Jacques Le Sante
    – Alex Lough
    – Paul Steinsland
    – Asami Takeyama
    – Kyle De Varona

    Inlets Ensemble for Experimental Practices are:
    – Robert Blatt, electric guitar
    – Jorge Gomez Abrante, electric guitar
    – Eric Gottlieb, percussion

    The Tipping Point ensemble are:
    – Matthew E. Taylor sax/flute
    – Leslie Miller clarinet/recorder
    – Monte Taylor guitar

    ***

    SFCA [isaw+subtropics.org] is the leading proponent of experimental music and sound art in the Southeast, and the nourishing platform for projects like Audiotheque, the Subtropics Biennial and yearly Marathon, the Frozen Music Ensemble, iSAW’s Experimental Sound Archive and Sound Studio, and many more projects designed to produce, promote and present the newest, most on-topic new music and sound art experiences in South Florida.

    Audiotheque’s 2015-16 season of events are possible with support from SFCA [isaw+subtropics.org], City of Miami Beach’s Cultural Affairs Program and Cultural Arts Council; with additional support from Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture; and by the Blank Family Foundation. SFCA [isaw+subtropics.org] would also like to acknowledge the ongoing support of Sennheiser, leaders in superior sound technology