RICHARD GARET: SONIC CONSTRUCTION FOR 4 CHANNELS: THE OTHER SIDE

      Comments Off on RICHARD GARET: SONIC CONSTRUCTION FOR 4 CHANNELS: THE OTHER SIDE

SUBTROPICS XXIV
SFCA [isaw+subtropics] in collaboration with ArtCenter/South Florida
presents

Richard Garet: Sonic Construction for 4 Channels: The Other Side

SAT JUL 20, 2017 | 9PM

Audiotheque
ArtCenter/South Florida
924 Lincoln Road, 201
Miami Beach, FL 33139

Richard Garet will be presenting a new multichannel work Sonic Construction for 4 channels: The Other Side, 2017 of approximately 50’ and configured quadraphonically for a listening environment. Richard Garet’s approach to working with sound focuses on creating processes that interact and activate sonic material such as electromagnetic waves, treated tape and audiocassettes, cracked media, sonification of light and data, information noise, electrical phenomena and computer processing. Garet’s model is the background noise that surrounds him and his motive seeks to invert the normative function of this background noise from unconscious status to active presence. Garet’s sonic constructions evolve from explorations of sound within studio practice onto activating areal-location and physical space. These developments establish not only the artist’s interest for listening and affect, but also the awareness of sound in space for the same purpose.  www.richardgaret.com

Richard Garet holds an MFA from Bard College, NY. Recent projects include RED-Splice, Fridman Gallery, NYC; SOUND ONE, Cindy Rucker, NYC; Periscope, Zipper Gallery, Sao Paulo, Brazil; Screen Memory, Galerie Burster, Berlin; Midnight Moment, site specific work created for the electronic billboards of Times Square, NY; Alusiones, Carmen Araujo Arte, Hacienda de la Trinidad, Caracas, Venezuela; Meta-residue: Input Material, Space, Studio 10, NY; Theorem: You Simply Destroy the Image I Always Had of Myself, Maná Contemporary, NJ; Adrenalina, Red Bull Station, Sau Paulo, Brazil; International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia; Bioderivas, Museo de la Naturaleza y el Hombre, Tenerife, Spain; Queens International, Queens Museum of Art, Queens, New York; Soundings: a Contemporary Score, Museum of Modern Art, New York; Extraneous to the Message, Julian Navarro Projects, NY; The Spacious Now and the Scale of the Instantaneous, Studio 10, NY; 5×5 Real Unreal, Museum of Art Acarigua-Araure, Venezuela; EAC: Espacio de Arte Contemporáneo, Montevideo, Uruguay; Fine Arts Museum of Montreal; San Francisco Museum of Modern Art; Museum of Contemporary Art of Barcelona (MACBA), Barcelona, Spain; Art Museum of Puerto Rico, San Juan, Puerto Rico; and El Museo del Barrio, NYC. His sonic constructions have been published through sound art labels such as 23five, And-Oar, Non Visual Objects, Winds Measure Recordings, Unframed Recordings, Con-V, Leerraum, White_Line Editions, OBS, Line Imprint, and Contour Editions.

_______

Subtropics XXIV is possible with support from City of Miami Beach’s Cultural Affairs Program and Cultural Arts Council; with additional support from Miami-Dade County, Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture; and by the Blank Family Foundation. SFCA [isaw+subtropics.org] would also like to acknowledge the ongoing support of Sennheiser, leaders in superior sound technology. Acción Cultural Española (AC/E) supports Subtropics XXIV through the Program for the Internationalization of Spanish Culture (PICE).

LISTENING CLUB: ELECTROACOUSTIC MUSIC AND SOUND ART IN SPAIN

      Comments Off on LISTENING CLUB: ELECTROACOUSTIC MUSIC AND SOUND ART IN SPAIN

SUBTROPICS XXIV
SFCA [isaw+subtropics] in collaboration with ArtCenter/South Florida
presents

Listening Club
S4:E10

Anthology: Electroacoustic Music and Sound Art in Spain
Tribute to Aram Slobodian

Curators:
Victor Aguado Machuca, Miguel Álvarez-Fernández
and Ferrer-Molina of AMEE

WED JUL 19, 2017 | 9PM

Audiotheque
ArtCenter/South Florida
924 Lincoln Road, 201
Miami Beach, FL 33139

This tenth and final episode of the fourth season of the Listening Club  presents an overview of recent works by composers from Spain. The program features acousmatic pieces from composers of the Spanish Association for Electroacoustic Music and Sound Art (AMEE).

The listening session concludes with a discussion between Miguel Álvarez-Fernández (curator of this project), Ferrer-Molina and Víctor Aguado Machuca (AMEE board members).

This episode is possible in part with the support of Acción Cultural Española, AC/E

Program:

Aram Slobodian: La Femme á Barbe (0:55)
Rocío Silleras: Slöcier (extracto) (1:02)
Pedro Linde: Pequeñas Industrias (3:32)
Sergio Fidemraizer: Allá Vamos (0:44)
José María Pastor: Nabodols (2:01)
Susana López: La Femme á Barbe II (1:03)
Josué Moreno: Uniendo los canales beberéis otras aguas (1:03)
Reyes Oteo: Mademoiselle Contorsioniste (4:00)
Roberto Pineda Tenor: Flores del Edén (3:00)
Cap Polonio (Mercé Capdevila y Eduardo Polonio): Dos carpetas con cuatro archivos en cada una (9:02)
Aram Slobodian: The Sound Of Speed (versión 1) (0:39)
Juan José Raposo: Mosaico (0:38)
Pedro Guajardo: Aracnian I (0:38)
Pedro Guajardo: Aracnian II (0:36)
José Andrés Prieto Franco: Ars Sonora Slobodian (0:38)
Pere Vicalet: Estudio holofónic de la masa (0:38)
Josep Lluís Galiana: Evidencias slobodianas I (0:36)
Josep Lluís Galiana: Evidencias slobodianas II (0:38)
Gregorio Jiménez: Verjin dzaynagrut’yuny (La última grabación) (0:38)
Vicent Gómez: d’el Tal, qual (0:38)
Miguel Molina Alarcón: De WAV a…mp3.ogg.vox.wma.flac.ivc.aa3.aac…a WAV (Cariño, te escucho comprimido) (0:37)
Alejandra Hernández: V” (0:39)
Aram Slobodian: The Sound Of Speed (versión 2) (0:37)
Aram Slobodian: Yukani Ventango / Big Bang (5:35)

AMEE is Spain’s official national association for electroacoustics music and sound art, founded in 1987 to represent and promote this experimental forms of art in its broadest definition (these are such as acousmatic, computer and tape music, soundscape, performance, video, environmental, space and conceptual sound art, and other experimental modes of artistic production). The aims of AMEE are to foster a broad, diverse and inclusive community of electroacoustic artists and develop the collaboration and interchange of artists working within different fields, to produce projects, events, seminars and exhibitions of the sonic art fields. AMEE operates with Spanish and international cultural and educational organizations.

www.amee.es

_______

Subtropics XXIV is possible with support from City of Miami Beach’s Cultural Affairs Program and Cultural Arts Council; with additional support from Miami-Dade County, Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture; and by the Blank Family Foundation. SFCA [isaw+subtropics.org] would also like to acknowledge the ongoing support of Sennheiser, leaders in superior sound technology. Acción Cultural Española (AC/E) supports Subtropics XXIV through the Program for the Internationalization of Spanish Culture (PICE).