The sounds you hear are produced by the architectural features of the stairway and represent the acoustical signature of the site.  No other sound has been introduced.  To activate the resonances I have used contact transducers that cause the panels positioned overhead to vibrate at the appropriate frequency rates.  The work evolves over time like the ocean, in waves of woven sonorities that eventually crystallize the 202 resonant frequencies that are listed in my sound score for this site-specific piece.

My work with sound in architecture began many years ago in the late 80s and is informed by the ideas and experiments of Russell Frehling.  Other influences for this Stairway derive from musical ideas proposed in Cross Sections and Color Fields, by American composer Earle Brown.

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