WORKSHOP: Final Cut Pro
PART I: Tuesday, September 22, 2009 | 9:30AM
PART II: Tuesday, September 29, 2009 | 10AM
conducted by Gustavo Matamoros
as part of isaw’s CDPY
Miami Beach Senior High
Film Department
Director: Gina Cunningham
subtropics.org
experimental music + sound art in miami
Category Archives: WORKSHOPS
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FINAL CUT PRO
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04
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nic collins: hacking & bending workshop
nic collins leads a hardware-hacking & circuit-bending workshop as part of his 2008 isaw residency. this workshop takes place over a two-day period of intensive electronic experimentation, culminating in a group performance by nicolas and the workshop participants. the hardware hacking and circuit bending workshop follows the text, in content and spirit of his 2006 book, handmade electronic music: the art of hardware hacking. participants leave empowered, carrying several new instruments and the skills needed to continue inventing and building on their own
The book, Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making — as well as creatively cannibalizing — electronic circuits for artistic purposes. Designed for practitioners and students of electronic art, it provides a guided tour through the world of electronics, encouraging artists to get to know the inner workings of basic electronic devices so they can creatively use them for their own ends
Handmade Electronic Music introduces the basic of practical circuitry while instructing the student in basic electronic principles, always from the practical point of view of an artist. It teaches a style of intuitive and sensual experimentation that has been lost in this day of prefabricated electronic musical instruments whose inner workings are not open to experimentation. It encourages artists to transcend their fear of electronic technology to launch themselves into the pleasure of working creatively with all kinds of analog circuitry
location:
artcenter/south florida
924 Lincoln Road, room 203, miami beach
dates:
part1: friday, march 28, 2008; 10am – 6pm
subjects: contact mikes, coil pickups, tape heads, bending radios and toyspart2: saturday, march 29, 2008; 10pm – 6pm
subject: make an oscillator from scratchperformance: saturday, march 29, 2008; 7:30pm
free outdoor performance on lincoln road
this workshop is presented in partnership with artcenter/south florida 
isaw residency | david dunn:
micro-listening workshop
south beach music institute
carl fisher house
2100 washington avenue, miami beach
workshop: micro listening
DAVID DUNN, composer
part1: saturday, october 6, 2007; 6pm – 10pm
part2: sunday, october 7, 2007; 1pm – 5pm
duration: 8-hour workshop in 2 parts
enrollment: up to 12 participants
availability: first come, first served
enrollment deadline: friday, september 28, 2007
tuition: $100.00, plus $35 for materials
reservations: full payment trumps reserved spaces
- Early Hydrophone by David Dunn
the micro listening project is an interdisciplinary art and science strategy for increasing the monitoring of our environment through sound. It hopes to provide new inexpensive technologies that can facilitate an increase in our collective environmental sensitivity and discovery of unknown natural and human made phenomena, providing novel tools for sound artist, and contributing towards practical environmental problem solving.
the project focuses upon the design of inexpensive but highly effective audio transducer systems for bioacoustic and sound art monitoring of otherwise hidden aspects of our auditory environment that are not audible through the use of conventional microphones. In addition to these technological advancements for listening, the project seeks to document a wide diversity of sound worlds for both demonstration of the transducers and general aesthetic revelation of our environment. Precise instruments on how to use and construct these devices will be part of this workshop. The devices are designed to allow as wide a distribution of their use as possible by both amateurs and professionals.
