RICHARD GARET: SONIC CONSTRUCTION FOR 4 CHANNELS: THE OTHER SIDE

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SUBTROPICS XXIV
SFCA [isaw+subtropics] in collaboration with ArtCenter/South Florida
presents

Richard Garet: Sonic Construction for 4 Channels: The Other Side

SAT JUL 20, 2017 | 9PM

Audiotheque
ArtCenter/South Florida
924 Lincoln Road, 201
Miami Beach, FL 33139

Richard Garet will be presenting a new multichannel work Sonic Construction for 4 channels: The Other Side, 2017 of approximately 50’ and configured quadraphonically for a listening environment. Richard Garet’s approach to working with sound focuses on creating processes that interact and activate sonic material such as electromagnetic waves, treated tape and audiocassettes, cracked media, sonification of light and data, information noise, electrical phenomena and computer processing. Garet’s model is the background noise that surrounds him and his motive seeks to invert the normative function of this background noise from unconscious status to active presence. Garet’s sonic constructions evolve from explorations of sound within studio practice onto activating areal-location and physical space. These developments establish not only the artist’s interest for listening and affect, but also the awareness of sound in space for the same purpose.  www.richardgaret.com

Richard Garet holds an MFA from Bard College, NY. Recent projects include RED-Splice, Fridman Gallery, NYC; SOUND ONE, Cindy Rucker, NYC; Periscope, Zipper Gallery, Sao Paulo, Brazil; Screen Memory, Galerie Burster, Berlin; Midnight Moment, site specific work created for the electronic billboards of Times Square, NY; Alusiones, Carmen Araujo Arte, Hacienda de la Trinidad, Caracas, Venezuela; Meta-residue: Input Material, Space, Studio 10, NY; Theorem: You Simply Destroy the Image I Always Had of Myself, Maná Contemporary, NJ; Adrenalina, Red Bull Station, Sau Paulo, Brazil; International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia; Bioderivas, Museo de la Naturaleza y el Hombre, Tenerife, Spain; Queens International, Queens Museum of Art, Queens, New York; Soundings: a Contemporary Score, Museum of Modern Art, New York; Extraneous to the Message, Julian Navarro Projects, NY; The Spacious Now and the Scale of the Instantaneous, Studio 10, NY; 5×5 Real Unreal, Museum of Art Acarigua-Araure, Venezuela; EAC: Espacio de Arte Contemporáneo, Montevideo, Uruguay; Fine Arts Museum of Montreal; San Francisco Museum of Modern Art; Museum of Contemporary Art of Barcelona (MACBA), Barcelona, Spain; Art Museum of Puerto Rico, San Juan, Puerto Rico; and El Museo del Barrio, NYC. His sonic constructions have been published through sound art labels such as 23five, And-Oar, Non Visual Objects, Winds Measure Recordings, Unframed Recordings, Con-V, Leerraum, White_Line Editions, OBS, Line Imprint, and Contour Editions.

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Subtropics XXIV is possible with support from City of Miami Beach’s Cultural Affairs Program and Cultural Arts Council; with additional support from Miami-Dade County, Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture; and by the Blank Family Foundation. SFCA [isaw+subtropics.org] would also like to acknowledge the ongoing support of Sennheiser, leaders in superior sound technology. Acción Cultural Española (AC/E) supports Subtropics XXIV through the Program for the Internationalization of Spanish Culture (PICE).